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Love in the Spiritual Direction Room

  • Aug 1
  • 6 min read

Updated: 6 days ago


Two empty wooden chairs facing each other outdoors on a leafy path, with soft, warm light filling the space between them.
A shared space, held in quiet presence

Love is not an easy word to speak in the context of spiritual direction. For many, it carries immediate associations with blurred boundaries, unconscious need, or emotional over-involvement — risks that are rightly taken seriously in one-to-one work. In a professional climate shaped by psychological awareness and ethical concern, caution around love can feel both necessary and responsible. And yet, the absence of love is rarely named with the same care. What is quietly set aside, out of fear of misuse, is often a deeper question: whether something essential to the spiritual life — and to the quality of presence between two people — is being held at a distance rather than thoughtfully discerned.


The Unease Around Love in Spiritual Direction

This caution does not arise in a vacuum. It has grown out of painful histories — of boundary violations, idealisation, misuse of authority, and relationships that became distorted under the weight of unacknowledged need. In response, many helping professions have learned to emphasise distance, clarity of role, and emotional restraint as safeguards. Within spiritual direction, this has often translated into a careful professionalism that seeks to protect both directee and director from harm. Such restraint is not without wisdom. It reflects an ethical seriousness about power, vulnerability, and the unconscious dynamics that can so easily take hold in intimate spiritual work.


When Restraint Becomes Distance

And yet restraint, when held without reflection, can harden into something else. When love is treated only as a risk to be managed rather than a reality to be discerned, spiritual direction may become subtly thinned. Presence can remain attentive but untouched; care can become correct rather than responsive. The relationship may be safe, yet oddly airless — faithful in form, but less alive than it might be. What is lost here is not professionalism, but depth: the capacity for genuine encounter in which both persons are affected, and something more than either of them alone is quietly present.


Love as Presence Rather Than Feeling

To speak of love in this context is therefore not to advocate for emotional closeness or relational intensity. It is to ask a different kind of question altogether. What if love, rather than being something a director feels or offers, is better understood as a quality of presence that arises when attentiveness, psychological awareness, and spiritual openness coincide? What if love is not enacted through behaviour, but sensed as a field within which truthful encounter becomes possible — one that holds both closeness and distance without forcing either into dominance?


Eros Beyond the Erotic

When love is approached in this way, it becomes possible to recover a wider and older understanding of Eros. This language may feel unfamiliar or risky at first, particularly in professional contexts shaped by necessary caution. In much contemporary culture, eros has been reduced almost entirely to the erotic or the sexual, making it difficult to speak of it in helping relationships without anxiety. Yet within depth psychology and spiritual tradition alike, eros has long named something more fundamental: the impulse toward connection, the vitality that draws one being toward another, the creative energy that brings relationship into being. Some early Christian theologians, including Pseudo-Denys, understood eros as the very movement of divine life itself — the outpouring of God into creation and the soul’s responsive return — a dynamic of love that both animates and draws all things toward their source.


Understood in this way, eros is not something to be enacted or expressed, but something to be recognised. It is the subtle aliveness that arises when two people meet with attentiveness and truthfulness, when there is sufficient safety for what is real to emerge, and sufficient restraint for it not to be appropriated or used. Eros here is not about intimacy in the personal sense, but about participation in a connective field that exceeds both individuals. It carries warmth, depth, and movement — without collapsing into possession or demand.


The Third Presence in the Room

In spiritual direction, this quality of eros is often sensed rather than named. It may be felt as a deepening of attention, a moment of shared stillness, or a sense that something meaningful is unfolding that neither person is directing. There can be a quiet intensity to such moments, a feeling of being drawn more fully into presence, without any need to act or respond. When this energy is trusted rather than feared, it does not blur boundaries; it clarifies them. It reminds both director and directee that the work does not belong to either of them alone.


This is where the language of a third presence becomes helpful. Many spiritual directors speak of there being more than two in the room — not as a belief imposed upon experience, but as a way of naming what is already felt. This presence is not an object of attention, nor a role to be filled. It is the relational space itself, animated by something beyond personal intention. Love, in this sense, is not something one person gives to another, but the quality of the field that holds them both.


Boundaries as Containment, Not Withdrawal

To acknowledge this third presence is not to abandon psychological awareness or ethical restraint. On the contrary, it depends upon them. Only when unconscious need is recognised and held elsewhere — through inner work, supervision, and reflection — can this kind of presence be trusted. Without such awareness, eros easily collapses into personal desire or unmet longing. With it, eros can remain spacious, creative, and free.


If eros is understood as a connective, creative presence rather than a personal impulse, then boundaries take on a different meaning. They are no longer primarily about distance or defence, but about containment. Boundaries, in this sense, do not keep love out; they make it possible to remain present without acting on it, using it, or confusing it with personal need. They hold the space in which closeness can be tolerated without collapse, and distance can be respected without withdrawal.


Holding Closeness and Distance Together

This way of understanding boundaries resists the pull toward false alternatives. It does not ask the director to choose between intimacy and professionalism, or between warmth and restraint. Instead, it invites a capacity to hold both — to remain open and affected, while also grounded and self-aware. Such holding requires maturity rather than technique. It asks the director to know something of their own longings and vulnerabilities, so that these do not quietly shape the relationship in ways that are unspoken or unmanaged.


In practice, this may mean allowing oneself to be moved without needing to respond, to feel warmth without seeking reciprocity, or to recognise a deep sense of connection without naming or claiming it. It may involve tolerating moments of intensity or silence, trusting that not everything meaningful needs to be explained or resolved. Here, love is neither indulged nor denied. It is held — acknowledged as present, yet not appropriated.


Trusting Love Without Acting It Out

This kind of presence can feel countercultural, particularly in a context where professionalism is often equated with emotional neutrality. Yet neutrality is not the same as openness, and distance is not the same as safety. When spiritual direction becomes overly cautious, the relationship may remain correct but constrained, faithful in form yet hesitant in depth. What is lost is not ethical clarity, but the aliveness that allows genuine encounter to take place.


Seen alongside the realities named in the shadow work of spiritual direction, this becomes even clearer. Where unconscious need has been recognised and tended elsewhere, love need not be feared in the room. Where the director is willing to face their own shadow — including desires for closeness, affirmation, or significance — eros can remain impersonal and free. In this way, awareness does not diminish love; it protects it.


Spiritual direction, exemplified in traditions such as anam cara soul-friendship, has always involved this kind of presence — one that honours both human vulnerability and divine mystery, both closeness and otherness. To speak of love here is not to soften the work, but to take it seriously. It is to recognise that discernment unfolds not only through insight or guidance, but through the quality of the relational field in which it is held. In attending carefully to that field, with honesty and restraint, spiritual direction remains faithful to its deepest calling. Here, love is not acted upon, but quietly entrusted.

Anne Solomon is a UK-based spiritual director, psychologist, and writer with more than thirty years’ experience accompanying people in spirituality, depth psychology, and the inner life.

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    © 2026 Anne Solomon@Spiritual-Life

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